Apr 1, 1994 · You will find journeys, processions, parades, clowns, freaks, and the shabby melancholy of an empty field at dawn, after the circus has left. ( ...
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People also ask
Why is La Strada so good?
His vignettes fill his movie with beauty, sadness, humor and understanding. Although there are English subtitles and the voices of the Messrs. Quinn and Basehart have been dubbed into Italian, "La Strada" needs no fuller explanations. It speaks forcefully, poetically and often movingly in a universal language.
Is La Strada worth watching?
An earthy, thought-provoking film, `La Strada' is one that will linger on sweetly in your mind's eye; the images and impressions it creates may, with time, dissolve-- but the essence of it will remain with you always. For once Fellini has touched you, it is forever.
What is the message of La Strada?
La Strada is a beautiful film. It's sad but also alert to the power that the basic elements of life have in binding us together and providing joy, whether that's in food, play, religion, or art.
What happened to Rosa in La Strada?
Gelsomina, an apparently somewhat simple-minded, dreamy young woman, learns that her sister Rosa has died after going on the road with the strongman Zampanò. Now the man has returned a year later to ask her mother if Gelsomina will take Rosa's place.
La strada (The Road) is a 1954 Italian drama film directed by Federico Fellini and co-written by Fellini, Tullio Pinelli and Ennio Flaiano.
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Federico Fellini. Find on IMDB · Find on Wikipedia. Reviews. La Strada (1994). Roger Ebert. Directed by. Intervista (1993). Roger Ebert. Directed by. Amarcord ( ...
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Rating (79)
When Gelsomina (Giulietta Masina), a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò (Anthony Quinn) to be ...
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Rating (66,695)
An earthy, thought-provoking film, `La Strada' is one that will linger on sweetly in your mind's eye; the images and impressions it creates may, with time, ...
Missing: sca_esv= 17ba89d080ee5ec4 Ebert
LA STRADA is the first film that can be called entirely 'Felliniesque'.” —Roger Ebert (Apr 1, 1994) “One of the greatest of all films, this haunting ...
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Nov 5, 2020 · A week after Masina died of lung cancer in the spring of 1994, Roger Ebert revisited La strada, calling it “the bridge between the postwar ...
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